Liberdade Não é Só Japão

Let's look back at the 18th presidential vote. The 13,500 ballot boxes were taken to 251 ballot count locations and were sorted by 1,300 automatic ballot openers. The chairman announced the sorted data and soon it was announced to the public. But something strange happened. The 251 ballot count locations found 'a number' that have the same pattern. Scientists, mathematicians, statistician and hackers from all over the country start looking into the secret of 'this number'. The result is tremendously shocking...

A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.

Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.

This political documentary by Hady Zaccak delves into the world of Lebanese Shiites through interviews with three Shiite youths, each with a different political and ideological affiliation, in addition to a very valuable interview with late Shiite cleric Sayyed Hani Fahs. The documentary explores the Shiites’ relation to Beirut’s Dahiyeh suburb, a Shiite stronghold, as well as the difference between the political and social perspectives of these youths.

A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.

A lyrical film ode to the odehimin or heart berry. A two-spirit Anishnaabe person finds themself in a dark place with their body. They undertake a healing journey, stating aloud their intentions and reconnecting with the land and the water for strength. As they get more in touch with their body and the beings around them, we begin to see them heal.

David Grubin's probing and perceptive biography reassesses the remarkable and tragic life of Bobby Kennedy, whose early life was spent in the shadow of his elder brother John. After JFK's assassination, he discovered his own identity in the forefront of American politics before his career was also tragically curtailed by an assassin's bullet.

Documentary in which President Musharraf explores the different worlds and influences on political life in Pakistan at a dinner in his official residence, the Army House. Labourers and intellectuals, journalists and industrialists add to the debate, as the role that a military leader can play in guiding a state towards modern democracy is questioned. (Storyville)

The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.

Documentary about ex-Labour MP Oona King. Only the second black female MP and one of the most media friendly of the 'Blair Babes', her support for the Iraq War alienated her from her Muslim constituency in London's East End, and led to her defeat by George Galloway and his anti-war Respect Party in the 2005 election. King asked her childhood friend Nora Meyer to make a film about the issue but Meyer was also opposed to the war and wonders if her friend's youthful radicalism has been dulled. (Storyville)

Filmmaker Richard Symons asks members of the British government to support his campaign for truth in the Houses of Parliament, and attempts to get a pledge from MPs that they will never tell a lie. (Storyville)

Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.