AÏT ATTA: Nomads of the High Atlas

A charismatic Indian-Nepali boy, lives a bohemian life in a remote Himalayan village. As he transitions from childhood to teenagehood, his poetic journey of perseverance echoes issues that span across ages and communities.

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.

As their population dwindles, their businesses are all about gone, this town in rural Monterey, Indiana fights to stay alive. An in-depth look into small town life, “Welcome to Monterey” follows a town’s journey to their 20th annual Labor Day Festival, capturing the people’s passions and doubt about whether this town has a future in today’s world.

An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.

An inside look at the years of effort and craft that went into the final installment of the Duffer Brothers' generation-defining series.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

In Unión Hidalgo, Oaxaca, México, there is a group of people who pay homage to living characters in the community through urban murals, generating an identity that is reflected on the walls of traditional houses.

For three decades now, Qatar, this small desert kingdom, has not stopped being talked about; because of its financial power and the secrecy that surrounds it, the royal family that runs it fascinates as much as it frightens.

Andrew Graham-Dixon explores the ancient Christian practice of preserving holy relics and the largely forgotten art form that went with it, the reliquary. Fragments of bone or fabric placed inside a bejewelled shrine, a sculpted golden head or even a life-sized silver hand were, and still are, objects of religious devotion believed to have the power to work miracles. The documentary features interviews with art historian Sister Wendy Beckett and Neil MacGregor, director of the British Museum.