Fanny, Alexander & Me

At Olivet, some students don’t meander past the Dairy Queen near the stoplight..but those who make the trek to the Sims Building are creative minds who are bursting with ideas. Purpose Productions presents a film that leads you through a journey of inspiration, color, and heart. All you have to do is go off the beaten path.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

A popular actress, Anny Duperey lived a precarious life for many years until she found a place to settle down in Creuse. It is there that she keeps her photos, writes, and recharges her batteries. In this portrait, she breaks with convention by playing with her image and openly questioning the desires of an actress as her career is revisited.

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

A retrospective of the work of the late actor Warren Oates, with clips from his films and interviews with cast and crew members who worked with him.

Historic theaters capture the imagination with interesting architecture, lighting, and decorative lobbies. Award-winning videographer/ historian Darrell Jabin toured dozens of theaters, researched opera houses, vaudeville, movie palaces, and neighborhood theaters, and interviewed historians, theater owners and executive directors of community theaters to create a short film covering a unique part of Oregon history.

An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.

Relationships, rehearsals, performances, hobbies, and family life of the members of the Guarneri String Quartet.

With passion, wit, intelligence and attitude, an LGBTQ youth theater group creates a play about love in all its forms, while bonding together to make change in their own lives. With candor, they tell their stories through intimate interviews, entertaining and powerful clips of their self-written plays, and glimpse into their everyday lives. Members range from a transgender woman being kicked out of her home, to a runway model who likes men’s clothing, to an out gay man accepted unconditionally by his mother. The plays they write and perform are close to their experiences and not only provide catharsis but insight into what it means to be gay, lesbian, transgender, or just queer. It’s an inspirational work of art about the hardships one faces in realizing that they are different and the courage it takes to find the pride within that.

Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.