We Are Home

In the aftermath of war-torn Borodyanka, Ukraine, powerful murals by renowned street artists Banksy and C215 appear on the war-damaged buildings, inspiring a group of young Italian restorers to preserve these symbols of hope and resilience, that represent the transformative power of art.

A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.

Throughout time, Eastern Ukraine (such as Donbas) has been referred to as a 'Russian world', but this is indeed not the case. The history of Donbas was re-written during the Soviet era. Although the Soviet Union edited out and withheld all references to the European background of this region from history books in schools and universities. There were, in fact, numerous French, Belgian, German, British, Polish, Swiss, Dutch, and even American settlements and more than 100 wide-scale enterprises in the region. Therefore, this film reveals the pro-European industrialization of Ukrainian Donbas at the turn of the 19th century. It aims to emphasize the European roots of Ukraine long before the official integration process of Ukraine into the EU in 2022.

The film’s story is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People’s Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her. After forty-five years of work, she is asked to retire. But Voronina does not agree with that, because she thinks that all the plants will die without her. Meanwhile, a group of mysterious radioesthesists find a channel of positive energy right in front of the entrance to the pavilion.

Captured by the Red Army during World War II, Hungarian soldier András Toma was admitted to a Soviet psychiatric hospital. After disappearing from prisoner-of-war records, he was presumed dead in Hungary. Because his name was incorrectly recorded in medical documents and he spoke only Hungarian—mistaken by staff for incoherent speech—Toma spent decades misunderstood and isolated in the institution. Fifty-three years later, a visiting Slovak doctor recognised his language, triggering an investigation by Hungarian authorities. Toma was repatriated in 2000, believed to be the last prisoner of war from World War II to return home.

A retrospective on Hollywood's role in the war effort in World War II, narrated by Johnny Carson.

A woman struggles with the isolation of being confined as a prisoner in a war-torn country.

In 1944, two prisoners miraculously escaped from Auschwitz. They told the world of the horror of the Holocaust and raised one of the greatest moral questions of the 20th century.

Adolf Hitler's Nazi megalomania knew no limits. The most daring of his plans World War II involved German fighter planes crashing into Manhattan's skyscrapers as living bombs, like the Japanese kamikazes. Hitler understood the huge symbolic power of Manhattan's skyscrapers. He believed suicide bombing would have a devastating psychological impact on the American people and the U.S. war effort.

This documentary, filmed after October 7, places recent events in context and retraces the extraordinary history of this region to shed light on the present, interviewing actors and witnesses to this conflict: Islamists, Jewish nationalists, imams, rabbis, intellectuals, urban planners, soldiers, etc.