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The story of Usnavi, a bodega owner who has mixed feelings about closing his store and retiring to the Dominican Republic or staying in Washington Heights.

Three parallel love stories set in three different cities are set against some of the major international events of the last five years, in this ambitious.

The journey of eight diverse youth in China confronting cultural differences. Crossing Borders - Widening Horizons - Building Bridges between Cultures

Scripted by four of Australia’s greatest authors (David Williamson, Thomas Keneally, Hal Porter and Craig McGregor), this quartet of carnal desires explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.

Director Yoshiyuki Kishi and screenwriter Takehito Minato—the team behind acclaimed boxing epic Wilderness—reunite to adapt Ryo Asai's prize-winning novel. A sensitive drama about the aberrant in a society without regard for diversity, the story unites characters trying to hide abnormalities: a prosecutor who is worried that his pubescent son is a shut-in, an introverted saleswoman with a peculiar habit, and a student tortured by feelings she can’t express. In a world fill with abnormalities, what if it’s actually normal to be abnormal?

Seas the Day: The Sailing Movie is a genre-defying documentary that blends real-world adventure with deeply human storytelling. It transcends typical sailing documentaries by blending docu-fiction with a narrative inspired by Joseph Campbell’s classic The Hero's Journey. Directed by Ryan Luskin, an anthropologist and teacher, the film follows his family's quest across sixteen countries, learning life skills from diverse cultures.

A Japanese man and a gay bar-owner in Hong Kong drink beer as they talk about their childhood and experiences.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.

Xiaofan, a young girl who works at a Karaoke Club, awakes one morning in a remote forest with her body covered in blood. As she struggles to find her way out, she tries to understand the drama circumstances which got her into the situation, events mainly related to her unpredictable boyfriend. She needs to make a decision that may change her life.