Documentary / TV Movie / Comedy
On January 10th, the investigative editorial team of CORRECTIV published research into a secret meeting of right-wing extremists, which no one was supposed to know about and which led to demonstrations and protests all over Germany. AfD politicians, CDU politicians, members of…
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THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.
From 1940, around 25,000 Dutch people served in the Waffen-SS. In spite of their large number, they did not make much public disclosure after the war. Eight Dutch former SS men tell their story in this documentary. Never before have former SS men talked so openly about their motives, their (wrong) acts, their experiences on the (Eastern) front and their struggle with the memories of the past.
On the sidelines of history, some characters, often ignored of the greater public have, in the shadows, had a decisive weight on the most important events of our century. We are presenting you there «unknows». A two-part documentary, which is a two-and-a-half-hour interview with Léon Degrelle himself, was produced for FR3 in 1978 by Jean-Michel Charlier, as part of the series "LES DOSSIERS NOIRS" (The Obscure Records).The first part, "LÉON DEGRELLE: CHEF DE 'REX'" and the second part, "LE 'VOLKSFÜHRER' LÉON DEGRELLE".
The Tóth family resides in Northern Hungary. The couple has a daughter and a son, the latter a member of the armed forces. When his weary major is ordered to take a vacation, the son talks him into a visit to his family home. Hilarity ensues when the Tóths go overboard trying to make things pleasant for the visiting major in hopes of an easier life for their son, the soldier.
In 1920s Bagheria, Giuseppe 'Peppino' Torrenuova works as a shepherd to financially help his poor family. Over the next fifty years, Giuseppe's life, as well as the life of the village, is observed. Giuseppe grows up, joins the Communist Party, marries a local girl, has children, and forges a political career for himself.
In her recent film Up to the Sky and Much Much More, Meter uses letters sent to her by her father during World War II to provide the film's narration, while interviews with her mother expand on his opposition to fascism — as well as to constraints of any kind, including the bonds of family — and his eventual conscription to the Eastern front. Remarkably, her father's epistolary accounts of his daily life as a soldier also include fantastical watercolour illustrations of his travels, which Meter incorporates to movingly amplify the emotional resonance of a father-daughter bond made fraught by distance and war.
