South Africa: The White Laager

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.

Documentary made by Yunus Vally, born in the 60s into a Muslim family during the height of the Apartheid era in South Africa, which examines the impact that the discriminatory laws of the state - specifically the so-called Immorality Act that determined who you could love and the censorship regulations that clearly defined what was deemed desirable - had on his life. It is also his attempt to fathom how he could have been an ardent Trotskyite who secretly fancied blonde Afrikaans beauty queens. (Storyville)

In the year of Nelson Mandela’s centenary, Glasgow, Love and Apartheid is the story of one family’s fight against apartheid from Scotland and South Africa. Director, Dhivya Kate Chetty, follows her parents – a mixed, and once ‘illegal’, couple – on a trip back to South Africa where the family stories begin to unfold – protests, an uncle in jail, an ANC arms cache, a doctor on the run and a surprise connection with Mandela in hiding.

Fifteen years ago, a handful of African Penguins, normally found only on remote islands off the Southern African coast, stumbled across on of the Cape's most beautiful and popular tourist beaches. They swam, they saw, they conquered. And today, Boulders beach is home to more than 4,000 of these delightful, resourceful and entertaining seabirds who live side by side with their human neighbours -well, most of the time! These knee-high invaders not only share the beach, they dodge traffic, scale fences, and take over gardens, the golf course and even the occasional bedroom! For the two feathered stars, Henry and Margot, it's a tale of romance, the challenges of parenthood, separation and a penguin's worst nightmare, oil.

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Mandela’s legend is built on his absence, during his 27- year incarceration. In 1990, when Nelson Mandela is released, South Africa is waiting for their Messiah. But he doesn’t know it yet, he is the most famous political prisoner of the Planet. Will he be up to the challenge?

In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.

During his stay in Cape Town as a film student, Shatho Tibone was inspired by an initial casual trip he took to the scenic but informal settlement of Hangberg. This film focuses on the uncertainties and inhumane acts of police and state brutality faced by the predominantly Rastafarian, KhoiSan identifying community of Hangberg in Cape Town, South Africa. So, through the participatory collective effort of a few journalists, filmmaker and community leaders Shatho went on a 5 year journey to document the story of this community which has become an enigma in South African imagination,

A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.

Shot in New York, Cape Town, St Helena and the Atlantic Ocean, Sathima's Windsong, is a lyrical portrait of South African jazz singer, Sathima Bea Benjamin. In her Chelsea Hotel apartment, home for over thirty years, she patches together her journeys, from apartheid's 'pattern of brokenness', to a chance meeting and recording with Duke Ellington in Paris, to making a life in New York. The narrative of her journeys are inter-woven with her music and the musings of folks who know her work. Like her haunting song, Windsong, the film is a meditation on displacement, exile and belonging.

The untold story of South Africa's blackfoot Penguins.