The Writing on the Wall

Chronicles the origins and evolution of West Coast hip-hop through the life and influence of Alonzo "Lonzo" Williams. Known as the "Godfather of West Coast Hip-Hop," Lonzo’s journey began in 1976 as a young DJ, and over the years, he emerged as one of the most pivotal figures in the genre, discovering legendary artists like Dr. Dre, Ice Cube, and many others who went on to revolutionize music.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

In the late 1980s and early 1990s, skateboarding and hip-hop culture collide in downtown Manhattan. Archival footage from the era showcases the fusion of these two forms of expression.

Two writers in Lisbon talk about what it means to be a woman in graffiti world where the survival of the fittest is prevailed and it's difficult to be accepted.

Docudrama about a young graffiti artist in suburban Saint Petersburg, Russia

On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”

Best known for their megahit ’80s anthem "Don't You (Forget About Me)”—made famous in John Hughes’ The Breakfast Club—Simple Minds is one of the most iconic and influential Scottish bands in history. From working-class kids growing up in post-industrial Glasgow to rock stars playing Live Aid, this is the unlikely story of an extraordinary band that continues touring to this day.

A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.

Nerdcore Rising is a documentary/concert film starring MC Frontalot and other nerdcore hip hop artists such as mc chris, Wheelie Cyberman of Optimus Rhyme and MC Lars, with contributors from such as "Weird Al" Yankovic, Prince Paul and Brian Posehn. It combines interviews about nerdcore and its origins with footage of MC Frontalot's 2006 Nerdcore Rising national tour.

A dutch mini-series/documentary that celebrates fifteen years of broadcasting the legendare dutch musicshow ‘101Barz’. The documentary follows the production of a one-off live show in the Royal Theater Carré in Amsterdam with multiple Grammy winning jazz and pop orchestra ‘The Metropole Orkest’ in collaboration with some of the best artists from the dutch rap and hip-hop scene. This is interjected by interviews with some of the most notable and loyal guests of the show and ‘Rotjoch’ the creator and presenter of the show during all these years.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.