
Adolf Hitler

Eva Braun

Sigmund Freud

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Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.

When a robbery goes wrong the only survivor tries to smuggle himself across the border by hiding in a coffin. When he gets out of the coffin he finds himself locked in a morgue freezer with three dead bodies. While trying to escape the morgue and his isolation he slowly starts going mad and hallucinating. Throughout the film he is haunted or menaced by a woman who may or may not be real. Unique and strange film that gets more and more weird as it goes along.

A new owner of the estate, Konrád Ritter von Schiess, arrives in the Czech village of Sluky. On his orders, the inhabitants of the village are to be evicted and only 30 families are allowed to remain, who volunteer to work on the estate. However, the inhabitants refuse to work for the lords, and their solidarity only strengthens when one of them is murdered by the Gestapo based on a report by the estate manager Prokeš...
For fans of history, this glimpse of Munich society in the 1920s will be a much-treasured event. The story revolves around an art-gallery manager who puts on a show featuring the scandalous works of a woman artist who committed suicide. He is unjustly accused of having committed adultery with her, and for some reason the authorities decide to make an example of him. He is imprisoned at about the same time that Hitler and the nascent Nazi party attempt the infamous Beer Hall Putsch, and the gallery manager's girlfriend and a Swiss writer valiantly (and unsuccessfully) attempt to get better justice for him. Nobody in authority, it seems, has the courage to take up the challenge of righting this particular injustice.

Set in the desert-weird wilds of Joshua Tree, California, Serpentine Pink is a distinctively visceral and surreal independent, female-centric film that digs into the various and rigorous ways a heart heals from trauma. Inspired by France's Grand Guignol style of horror theatre, and utilizing a lyrical language both visual and verbal to capture the strange poetry of the Mojave land and soundscape, Serpentine Pink follows a reclusive biker woman and her John Wayne-obsessed exotic dancer lover's disturbing fallout after a violent acid attack. An ethereal psychic and her aspiring healer companion converge with supernatural forces in an attempt to confront and then heal the women's - as well as their own - deep-rooted, personal pain that comes from trying to break the cycle of possessive love.

Starting in late May 1944, during the German retreat on the Eastern Front, Captain Stransky (Helmut Griem) orders Sergeant Steiner (Richard Burton) to blow up a railway tunnel to prevent Russian forces from using it. Steiner's platoon fails in its mission by coming up against a Russian tank. Steiner then takes a furlough to Paris just as the Allies launch their invasion of Normandy.

It is 1943, and the German army—ravaged and demoralised—is hastily retreating from the Russian front. In the midst of the madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich is still vastly superior to the Russian army. However, within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors.