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As the most dammed, dibbed, and diverted river in the world struggles to support thirty million people and the peace-keeping agreement known as the Colorado River Pact reaches its limits, WATERSHED introduces hope. Can we meet the needs of a growing population in the face of rising temperatures and lower rainfall in an already arid land? Can we find harmony amongst the competing interests of cities, agriculture, industry, recreation, wildlife, and indigenous communities with rights to the water? Sweeping through seven U.S. and two Mexican states, the Colorado River is a lifeline to expanding populations and booming urban centers that demand water for drinking, sanitation and energy generation. And with 70% of the rivers’ water supporting agriculture, the river already runs dry before it reaches its natural end at the Gulf of California. Unless action is taken, the river will continue its retreat – a potentially catastrophic scenario for the millions who depend on it.

In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.

It all started with a simple question: Is it possible to travel to the oldest and newest places on Earth? YouTuber, author and filmmaker Joe Scott looked into it, and it turned into the trip of a lifetime. It's a journey across 4 billion years of geologic history that explores the past and present of our remarkable planet, the absurd immensity of deep time, and our tiny but important place in it.

We all know the big bad wolf of fairy-tale fame—over hundreds of years the wolf has become a culturally imprinted symbol of fear that’s completely detached from reality. In fact there weren’t even any wolves in western Europe for a long time. But they’re back—for example in Germany, where these social animals now occupy a few scattered areas around the country that people have left to them.