Self
Self
Self
Self
Self

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

"Bloggers and Roads" is an honest story of travel in Russia in the format of a travel-vlog. A company of very different bloggers goes on a journey to see what people live in the villages and small towns of our country. Without written cues and a clear plan, they plunge headlong into adventures. Nastya Ivleeva, Eldar Jarakhov, Danya Milokhin, Yulia Gavrilina, Cherocky and Vital Parapatronov disconnected from the bustle of the capital to live in the "here and now" format for a week. They will invite themselves to visit the locals, arrange a village drift, work on the farm and even go on a real hike in the wild! We guarantee-made with the soul.

The cult of the Madonna dell'Arco dates back to the 1400s, when a young believer, after losing a game of pallamaglio, threw a ball in anger at a portrait of the Madonna under a Roman arch. The Madonna began to bleed. The crowd wanted to punish the boy for his wicked deed. The Count of Sarno decided to have him hanged from a tree. A few hours later, the tree withered. This is the myth that has always accompanied the oldest Marian cult in Campania (Italy).

Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.