Los muertos del vino dulce

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

An anthropological research on the survival of the supernatural in traditional culture. Shot in different locations in southern Italy, the documentary focuses on the link between the cult of the Madonna and ancient rites related to female fertility.

The religious traditions of a town in the province of Caserta, Italy.

A big day in the Scottish Borders is captured with astonishing clarity in this remarkable film commissioned by the local cinema.

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”

This film tells a story about two young talented artists coming from different ethnic and family backgrounds whose paths cross because of their unusual talent and passion for flamenco music. Amós is twelve and grows up in Salamanca. A rising star recognized by Paco de Lucía, Amós has been playing guitar and composing since he was three. Abraham is a twelve year old flamenco singer from the Gypsy community in Madrid's periphery. He grows up in an extended family where flamenco singing is a part of everyday life and passed on from generation to generation. This is a moving story about child fame, the road taken to get there and the vibrant subculture of flamenco.

Pop sensations the Lovin' Spoonful perform their biggest hits in this collection of television appearances from the 1960s and '70s. Lead singer and songwriter John Sebastian discusses the band, their music and their legacy. Songs include "Summer in the City," "She's Still a Mystery," "Nashville Cats," the hit theme to the sitcom "Welcome Back, Kotter," "Did You Ever Have to Make Up Your Mind?" and "Do You Believe in Magic?"