I Lifted My Hands to the Sky and There Was No More Light

After Ali suddenly leaves home, he and Simin separately try to find the reason for this separation before their memories are permanently faded.

"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

A big day in the Scottish Borders is captured with astonishing clarity in this remarkable film commissioned by the local cinema.

A documentary that brings to light the vision that director George A. Romero had for an adaptation of Resident Evil, using newly filmed interviews with those who were there, and unravels the secrets behind why it was never produced.

After suffering an accident, a man suffers the pain of grief, marked by the great love he has for his family. He tries to connect with his wife and daughter at all times, but death prevents this memorable encounter. The anguish of loss seen through alternative eyes.

Habito tells the story of a poor, fat black man in pursuit of his dream of being a filmmaker, facing academic and personal challenges after his mother is diagnosed with breast cancer. A narrative that intertwines life, family and cinema, exploring the roots of Alagoas and Bahia.

After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.

The love of Kim Jong Il, the former dictator of North Korea, for cinema and his adventures, including the kidnapping of a director.