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The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.

The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.

Against the Current is a feature-length documentary that chronicles the journey of South African endurance swimmer Sarah Ferguson, as she attempts to become the first person ever to swim around Easter Island (Rapa Nui) non-stop. It tells the story of a global team united, not only in trying to make Sarah’s 40-mile challenge a success, but also in using it to raise awareness about the issue of plastic pollution. Without being able to touch a boat or another person, her daunting swim was estimated to take up to 32 hours to complete, through strong currents, large waves, powerful winds and other hurdles along the way. Against the Current is now screening at film festivals.

Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.

TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.

Greenland has become a major geopolitical issue between the United States, Europe, Russia, and China due to its geographical location and mineral resources. Its geopolitical destiny will have significant ecological consequences for the entire planet. What choice will the people of Greenland make? The largest island in the world, with its 2.2 million square kilometers covered 80% by ice, is also one of the least densely populated territories on Earth, with barely 57,000 inhabitants. Mainly living off fishing, tourism, and Danish subsidies, yet sitting on a potential treasure. We are talking about 25% of the world's hydrocarbon reserves, the third-largest uranium reserves, and 20% of rare earths. An icy Eldorado that today sparks all sorts of ambitions, one of the hotspots where the future of our multipolar world is being shaped. This is what the film will explore, addressing both its economic and commercial challenges, as well as its geo-ecological and military implications.

His buildings are garish, colorful and completely overloaded. Columns and glittering chandeliers everywhere, and way too much of everything. The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.