Matthew
Anna
Subway Woman
Woman walking
Walking Man
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Officer Blanca Bravo arrives in Juarez, Mexico — a grim nexus of corporate colonialism and sexual tourism — to investigate a rash of killings targeting female migrant workers. But with no help from the locals, bringing the responsible parties to justice becomes a frustrating exercise. As Bravo rails against indifference and local corruption, she finds herself on a collision course with Mickey Santos, a Mexican mogul with a taste for young prostitutes.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

This tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to the curse placed on both the Duke and Rigoletto by a courtier whose daughter had been seduced by the Duke with Rigoletto's encouragement. The curse comes to fruition when Gilda likewise falls in love with the Duke and eventually sacrifices her life to save him from the assassins hired by her father.