Marco Pesaresi (voice)
Bay Area rapper Mac Dre began his career at 18 and quickly became an influential force in early west coast hip-hop. In 1992 he was convicted of conspiracy to commit bank robbery when his lyrics were used against him in court. He left prison with a new lease on life, founded an independent record company, and then was murdered just when he began to emerge as a star. For the first time ever, his mother Wanda reveals the true experiences of a hip-hop legend.
TransWorld Motocross' newest film feature delves into the world of social media moto superstar Axell Hodges. With over 250,000 followers on Instagram alone, the 20-year-old from Encinitas, California, has successfully figured out how to make a living on his dirt bike, without lining up behind a starting gate! True, as a former Amateur National Champion, Axell does have a racer’s background, but the skill and style he’s developed through the years while at play on his dirt bike are what make him truly amazing. This documentary style film gives viewers a glimpse into the “24/7 fun” world of Axell Hodges. Who is he? Why do fans love him? Why do sponsors need him? And most importantly…how did he get so skilled at riding his motocross bike?
Francisco Brennand is an eighty-five year odl, painter, sculptor and ceramist from Brazil. He lives and works isolated in an open-air museum set in an old ceramic roofing tile factory that belonged to his father. Based on his diaries, written over the past 60 years, the film narrates the artist's journey from the moment he moved into the factory until today.
In their feature film debut, CARTERLAND, the Pattiz Brothers examine the tragic, yet inspiring story of America's most misunderstood president. While leading the nation through a series of unprecedented crises, Jimmy Carter also confronted climate change and championed social justice at home and abroad. This groundbreaking film draws on archival footage, experts, and insiders to reveal how Carter's selfless leadership and moral integrity ultimately cost him the presidency.
Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.
