The Rules of Film Noir

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.

A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.

This documentary is featured on the DVD for Captain Blood (1935), released in 2005.

A documentary on the making of Steve De Jarnatt's 1987 film, Cherry 2000.

Documentary following the history of America's first cinematographers.

An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.

Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.

We’ve all dreamed about making it big. About doing something that sets us apart and makes an indelible claim about who we are. Gunnar Ryan Wiik is a dreamer. But what makes him stand out is that he is seemingly willing to do anything to make his dreams come through. Directors Even G. Benestad and August B. Hanssen has been following the Norwegian entrepreneur Gunnar Ryan Wiik since 2017 when his spectacular film project about the Western hero Morgan Kane collapsed and became front-page material in Norwegian newspapers. Ryan lost everything. With unique access over seven years, the film follows Ryan's new and adventurous projects. Can he finally succeed, or will the ghosts of the past consume him?

Alternately hilarious and horrifying, Overnight chronicles one man's misadventures of making a Hollywood movie. It starts out as a rags to riches story as Troy Duffy, a Boston-bred bartender, sells his first screenplay for The Boondock Saints.

Documentary about the making of Ordet, from the perspective of cinematographer Henning Bendtsen.

This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.

For this inform­at­ive new one-off, film writer Ian Nathan focuses on the first 60 years of British film, from the inven­tion of cinema and the trans­ition from stage to screen, to the emer­gence of the stu­dios and the first pop­u­lar idols. Nathan takes us through the work of lead­ing Brit­ish film-makers — a tal­ent pool that, like Hol­ly­wood’s, benefited from the influx of refugees flee­ing Europe — includ­ing Alfred Hitch­cock, Pow­ell and Press­bur­ger, and many more besides.