Places that were anime to me

A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.

A family must change their way of life when they discover their young child has an invisible medical condition that society has overlooked. 18 years ago, the Couroux Family’s youngest son, James, was diagnosed with Celiac Disease (CD), forcing them to change their way of life. His parents, Daniel and Patricia, found themselves working hard to find the best options for James. Meanwhile, James struggled to cope with the mental and psychological effects of his diagnosis, revealing the darker side of CD. With support from expert opinions, Cake-Bomb is a film that aims to explore what it is like to raise a child with CD, as well as what it is like to be that child.

An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.

"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.

The world’s museums are closed. What are you missing?  Take a real-time walk through the Louvre towards the “greatest painting ever” and contemplate what it would be like to be there yourself.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

The six-hour essay in four parts examines the history of regimes and revolutions, leaders and martyrs, from a philosophical perspective. The collage of personal memories, staged scenes and archives of collective memory compares the Prague Spring to the Velvet Revolution and shows the exposure, conflict, crisis, and catharsis of the post-communist society. Democracy can be saved through creative laughter, dissolving the untouchability and hypertrophic egos of the representatives of state institutions. The Internet frees the society from representatives of the non-functional connecting link that prevents direct communication between citizens and institutions of power. “I can see you until I spot you. Once I spot you, I cannot see you anymore.” K. Vachek