JUNI 53

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.

The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.

Incarcerated men defy the odds to expose a cover-up in one of America’s deadliest prison systems.

A small skit-documentary hybrid, written, shot and edited all in the space of a couple of hours on the 25th of October 2021, by exclusively myself, for a university project.

Two brothers, separated by time and prison bars, reestablish contact. Inspired by James Baldwin's short story, 'Sonny's Blues.'

Hard, harder, hardest! This film orders you from the start to turn up the volume and pay attention. "Look out! We're Coming to Get You!" is a flood of images driven by a tempest of guitars. The film's creators jam 20 years of German music history into 120 minutes of film. Musicians from BLIND PASSENGERS, DIE SKEPTIKER, SANDOW and other bands explode their way through the film. Fans of the DEFA documentary "Flüstern und Schreien" ("Whisper and Shout") already know the stars of that film, Aljoscha, Paul and Flake of the band Feeling B. Here they have a chance to see how these musicians survived the period after the fall of the Berlin Wall and the "escalation of possibilities" that came with it. And you're allowed to laugh, too!

BEING MICHELLE follows the astounding journey of a deaf and disabled woman who survived incarceration under unimaginable circumstances by a system that refused to accommodate her needs as a deaf person with autism. Michelle's trajectory changed when she met Kim Law, a blind volunteer life coach who teaches classes to people in prison. Today, outside of prison, Kim and Michelle are doing the difficult work of unraveling Michelle's history, of telling the story of Michelle's traumatic childhood and her adverse experiences in the criminal justice system. With the support of Kim, Michelle realizes her own voice and strength. Throughout the film Michelle's artwork provides her own depiction of the trauma she survived as well as a means to her recovery. Ultimately, BEING MICHELLE is a story of redemption. It is about the bonds between women committed to thriving in a broken system, who are forging a path to healing that can only come through facing the truth and communicating it, together.

Chilo and Omar seem to be the only two men on earth. They live on a solitary beach and their constant activity is fishing to survive. Their friendship, surrounded by sensuality, becomes a kind of a love story. Through their conversations and their relationship, the film explores and portraits human condition.

Marcus, all long time friend of The Man checks up on him after semmingly going silent for days on his phone. What has happened to him?

Filmmaker Angelo Madsen Minax returns to his rural Michigan hometown following the death of his infant niece and the subsequent arrest of his brother-in-law as the culprit. Using the audio-visual approaches of essay film, first-person cinema vérité, staged actions, and decades of home movies, Madsen navigates a town steeped in opioid addiction, economic depression, and religious fervor, while using the act of filmmaking to rebuild familial bonds and reimagine justice. Posing empathy as a tool for creating a more just world, North By Current does not seek to investigate a crime, but creates a relentless portrait of an enduring pastoral family, poised to reframe and reimagine narratives about incarceration, addiction, trans embodiment, and ruralness.

Interview with Jochen Girke, a retired East German Stasi agent, filmed March, 1990 to June, 1991. Questions explore his study of psychology for use as a filmmaker and trainer of interrogators and informers. Segments include conversations with his parents, teacher, former girlfriend and wife.

After a botched home invasion, 15-year-old Blake finds himself facing a virtual life prison sentence for Felony Murder. With the unwavering support of his single mother and teenage girlfriend, a David-and-Goliath uphill battle ensues in Elkhart, Indiana. They take on the system in hopes of a second chance.