Drama / Comedy / Fantasy
The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.


Mother

Mayor Cornish
Guy Maddin

Janet Maddin
Cameron Maddin
Ross Maddin
Himself
Himself

Citizen Girl
Gwenyth Lloyd
Viscount Gort
Althea Cornish

Winnipeg Film Group. Deep in the winter of 1986. Guy Maddin is in the process of filming Tales from the Gimli Hospital and needs to rub a dead seagull on somebody's chest. Immediately, Dave Barber agrees, submitting his bare flesh to Maddin's road kill and to film history. (This film was commissioned by the Winnipeg Film Group's Cinematheque for its 25th anniversary, Silverscope)
A few days before she retires, devoted Winnipeg school principal Denise has spent her entire life taking care of everyone else. She is the glue holding together a crumbling ecosystem of neediness: a well-meaning but chronically disappointing husband, a school full of little crises, a self-absorbed daughter and unruly grandkids who treat her like a built-in safety net, and an aging father whose enthusiastic nudism keeps getting him expelled from one seniors’ home after another. When one indignity too many pushes her past her breaking point, Denise makes a radical decision.

Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-strange walking tour of Winnipeg historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother.

An idyllic childhood with her mooshum and kookum, or grandparents, in her community of Peguis First Nation dissipates as Aberdeen’s hard-partying and absentee parents distances her from that haven. Now an adult, sleeping on public benches, Winnipeg-based Aberdeen is in survival mode. The last remaining stable parts of her life begin slipping away — her reliable brother Boyd is ill and gives up Aberdeen’s grandkids to the foster care system. Then she loses her ID.

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.

Join a grassroots collective of volunteers as they search Winnipeg’s Red River and its banks for clues to find out what happened to their missing family and friends. The documentary demonstrates the devastating experience of searching for a loved one who didn't come home with profundity and humanity.