Mea Culpa

Becoming a father is an extraordinary adventure in a man's life, but it is also a real physiological metamorphosis that science is only just beginning to reveal. Researchers from multiple disciplines are lifting the veil on these changes taking place in men who are in contact with young children, and their discoveries are astonishing. By tracing the thread of evolution, the film reveals that these deep, long-ignored bonds between men and children are very ancient. And that they are just waiting for the right context to fully express themselves.

By 1997 Diana, Princess of Wales had spent over a decade in the global spotlight. From a fairytale princess to a powerful independent mother - Diana had shown resilience and resolve. Free from the shackles of a royal marriage, she was just about to conquer the world all over again and this time on her own terms, but everything was about to come to a screeching halt.

In France, more than 10 million people of all ages are believed to rely on food aid. Faced with this reality, mutual aid initiatives are multiplying to feed, comfort, and integrate people. From lunches where everyone pitches in, to one-euro menus, workshops on how to cook healthily and cheaply, and dinners prepared by Michelin-starred chefs, solidarity kitchens are multiplying in France.

This chronicle of the Christchurch Commonwealth Games marked one of the National Film Unit's most ambitious productions. Though a range of events (including famous runs by John Walker and Dick Tayler), are covered, the film often bypasses the pomp and glory approach; instead it dares to talk to the injured and mention that most competitors lose. The closing ceremonies of the "friendly games" feature the athletes gathering to — as the official song's chorus put it — "join together". Four directors joined together to work on it: Arthur Everard, John King, Paul Maunder and Sam Pillsbury.

In contrast to the lens that focuses exclusively on the racist traditions that are rooted in America’s social history, the moral counterweight of close, loving, friendship and collaboration, which have always been present in our history, represents “the other tradition.” This “other tradition” is a source of inspiration and presents models of behavior that are instructional and include unknown and uncelebrated legacies to be absorbed and emulated across generations of present day Americans. The documentary discusses the “better in us” a needed collective perspective in the current climate of national disunity across racial, religious, and political lines. This has significant implications for addressing public issues from immigration to health care and the myriad of governmental, educational, business, and religious challenges that we must successfully meet to weave the fabric of unity which is indispensable to survival as a nation.

Ed is commissioned to make a documentary intending to change those habits of society that are harmful to animals. But completely alien to the animal protection movement, he will realize that to carry out the project, he must first convince himself.

An inside look into the fascinating life, career and survival of the most unknown famous entertainer in Hollywood.

Using authentic color and black & white footage captured from the battles this explains the events, circumstances, and results of three of the most important battles of WWII -- the battles of Midway, Kursk, and Crete.

SHINE tells the story of Mike Straughter, the owner of Chase Shoe Shine Parlor in Houston’s historic Third Ward — a neighborhood long regarded as a cradle of civil rights activism and cornerstone of African American culture. For more than two decades, Mike has offered far more than a shine — he’s created a gathering place where people from all walks of life find belonging, conversation, and kindness. His shop has grown into a quiet engine of community outreach, where customers roll up their sleeves alongside him to help people in need. An intimate, character-driven documentary, SHINE captures the quiet influence of a man rooted deeply in his neighborhood — a reminder that human connection still matters and can grow in the most unexpected places.

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.