Comedy / Drama
Widowed Zdena lives a quiet life as a postwoman in a small Czech village. When her beloved son Lukas returns home from France to say goodbye to his dying grandmother, his determination to make her seemingly impossible wish come true leads him to reveal a secret that challenges…


Zdena

Lukáš

Remi

Réka

Irena Trávníková

Vera

Míra

Marie

Jaromír

Bozena

Nada
Jirina

Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind. Through seven over-the-top characters and sketches-like "rap sessions" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the "hero" rejects it all and stays gay. Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons. This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.

Bad Indian – The Villain Origin Story, is a coming of age comedy-drama about Abbey, a young woman from Croydon. When Abbey lies to her strict Catholic Indian Mother about her rejection from Cambridge University her only method of escapism is to have one memorable night at the infamous Tiger Croydon’s A-Level Results Party. But what happens when the truth she's been running from violently slaps her in the face.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.