Sex Pistols: Never Mind The Bollocks, Here's The Sex Pistols

Gary, a musician, is trapped in an unhappy relationship with his live-in lover, Dora. He becomes enthralled with a beautiful seductress who enters his dreams, and tries to control his dream-state so he can spend more and more time with her. When Gary sees his mystery woman's face on a bus billboard, he discovers she is real, and fate brings him an opportunity to meet her.

Revisit the first music videos of Beat Crusaders' major-era from 2004-2005.

Elvis Presley & Pat Boone were two of the hottest forces on the early rock ‘n’ roll music scene in the 1950’s. In this toe-tapping documentary, the good-nature chart-topping rivalry between the duo is explored through rare footage and newsreels. Interviews include Dick Clark, Tom Jones, Kenny Rogers, Glen Campbell, Phyllis McGuire, Bill Medley, Arlene Dahl, Joe Esposito, Shirley Jones and others.

A look at Depeche Mode's final moments of their 2017 Global Spirit Tour, featuring intimate stories from select fans.

Led Zeppelin: The Untold Story reveals an often overlooked side of the saga. Using early performance footage, seldom seen interviews and previously unpublished photographs, as well as contributions from colleagues, friends, and associates who worked alongside the future members of Led Zeppelin, The Untold Story is finally made public.

Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.

Feature length documentary about the story behind the pioneering and influential British heavy metal band as they enter the studio to record their new album.

Louis Theroux sets out on a personal quest to meet the ultimate pop idol - Michael Jackson - and examine the often bizarre world that surrounded him and those that worshipped at his altar. The journey began in the summer of 2002 with a simple phone call to Uri Geller - a personal friend of Jackson's - to fix a meeting for Louis. What happened next resulted in a fantastical trek into a weird world of characters who orbited around the 'King of Pop'. Majestic Magnificent, Michael's personal magician, could be the gatekeeper to a meeting or just a fraud. Would Louis, a lifelong fan of Jackson, eventually meet his hero?

Beat Crusader's final performance on September 4th 2010, viewed by 15,000 people.

Quite simply the finest theremin player who has ever lived, Clara Rockmore began her performing life as a violin prodigy at the age of 5 years old, still the youngest person ever admitted to the prestigious Imperial Conservatory of Saint Petersburg where she studied under the great Leopold Auer. Due to childhood malnutrition causing bone problems in her teen years, she was forced to give up the violin and moved to New York City in the mid 1920's where she met and became involved with Russian electronics genius Leon Theremin and helped him to refine and perfect his new instrument, giving advice from the standpoint of a musical performer to make the theremin more playable and developing her own hand techniques and exercises for playing the instrument.

This video is not your typical collection of music videos. Rather than being simply a straightforward presentation of videos, Single Video Theory also contains footage of the band members recording their album in the studio. The camera captures the actual recording sessions as well as the band members chatting candidly about their concept and ideas for the music. Directed by Mark Pellington and shot in 16mm over 3 days in 1997.