
Vicente
Raul
Mildred
Carmelo
Corona

Melania
Sargento
Chencho
Manuel
Raul (Niño)
Ramón (Construcción)
Vendedora Local

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

In consequence of a violent incident that occurred when is son was a toddler, Luc Bisaillon has lost the right to be in Samuel's life. Years later, Luc desperately wants to form a bond with his teenage son before it's too late. But after being arrested for violating the restraining order issued against him, Luc realized he has zero chance of getting the order lifted before his son's eighteen birthday. He then decides to kidnap his son, and to take his deer hunting in a remote cabin in the woods.

The streets of Barcelona, thousands of people coinciding at the same time, eyes crossed lost in thought. Not realizing that even though it may seem unique, everyone has a story worth telling. People who live the moment that will change them forever, that will define and vindicate them. Moments in our lives where we have been, or will be, aware of a change of stage; of a before and an after. Moments when we feel like we’re dragging our backs every minute we’ve lived. Because we are all inside our chrysalis until someone breaks them and forces us to face the real world.

In 1989, prostitute Aileen Wuornos befriends and enters a relationship with a young woman named Selby. Determined to straighten out her life, Aileen's limited education lands her back on the corner. She's raped by a trick, who she kills. A string of murder and robbery follows that ultimately leads Aileen to becoming America's first female serial killer.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.