Earth, Wind & Fire (To Be Celestial vs. That's the Weight of the World)

Adam Jacobs was the original "Aladdin" in Disney's smash Broadway musical, with a list of other hits like Les Miserables and Something Rotten, but this docu-concert – filmed as a special one-night-only performance – explores his emotional personal journey, from growing up as a Filipino American in California to landing the role of a lifetime.

American Failure takes an in-depth look at the music scene in Boone, North Carolina, focusing on local bands Babe Haven, Galloway, Kiss it Make it Better, Educated Guess, Solastagia, and Cigarettes @ Sunset. Through a mix of full-band and individual interviews, live performances at local venues, and behind-the-scenes footage, we follow these bands as they navigate Boone’s DIY music culture before and after the COVID-19 pandemic.

This chronicle of the Christchurch Commonwealth Games marked one of the National Film Unit's most ambitious productions. Though a range of events (including famous runs by John Walker and Dick Tayler), are covered, the film often bypasses the pomp and glory approach; instead it dares to talk to the injured and mention that most competitors lose. The closing ceremonies of the "friendly games" feature the athletes gathering to — as the official song's chorus put it — "join together". Four directors joined together to work on it: Arthur Everard, John King, Paul Maunder and Sam Pillsbury.

Documentary portrait of José Domínguez Muñoz, better known as "El Cabrero" (French for "the goatherd"), Spanish libertarian flamenco singer born in Aznalcóllar, province of Seville, in 1944 and filmed over two weeks in 1988 in Seville, Aznalcóllar, La Carbonería de Sevilla and Marinaleda, and in concert at a recital in Bayonne. Politically committed, El Cabrero defines himself as a libertarian. Since the 1970s, he has been close to the anarchist movement. For many years, he was a member of the anarcho-syndicalist Confédération Nationale du Travail.

One day, while Grigoris is working and singing at a construction site, a conductor, Vangelis, and two bouzouki musicians happen to pass by. They listen, enchanted by his limpid voice, and suggest that he becomes a member of their orchestra. Thus, the newly-wed day laborer gets a second job at Mr. Lefteris’ night club. His wife, Marina, soon joins him at the club, and, before long, she too goes on stage, cuts capers and charms everyone. Her success, however, has a negative impact on the couple’s relationship, since Marina’s admirers as well as those of Grigoris’, turn one away from the other.

In April 1989, in a liminal town near Mexico City, young teenager Violeta finds a way to bring her mother's synthesizers back to life with disastrous consequences for her and her father.

Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.

On January 13th 1985, Midnight Oil performed the Oils on the Water concert on Goat Island, Sydney, to celebrate radio Triple-J's tenth birthday, before a select crowd of 400 (half competition winners and half staff, media and friends, though other fans swam across). The concert was simulcast live on ABC TV and Triple J radio, released on video, then later remastered as part of the 2004 Best of Both Worlds DVD set. Oils on the Water was a classic Midnight Oil performance and setting with the band in fine high-energy form, caught in the light of the setting sun, against the backdrop of the Sydney Harbour Bridge.

Archives from Swarm's Involving Heritage 2024 tour with Piri Reis in five cities on the island of Java.

Acclaimed pianist Víkingur Ólafsson shares his deep connection with music, from Icelandic songs to the works of Bach, Mozart, Rameau, and Philip Glass. He explores how these pieces shaped him and how his feelings differ when performing works like the Goldberg Variations or Bartok’s Folk Song. Ólafsson invites us into his world where musical knowledge, Nordic roots, and creativity merge in his interpretations.