Rumba Catalana

Joan Ximénez el Petitet is a Catalan gypsy who pursues a dream. A former musician now —a percussionist, son of Ramón el Huesos who worked with the mythical singer Peret—, and affected by a rare chronic disease, he wants to accomplish the promise he made to his mother before she died: to celebrate a rumba concert on the stage of the Liceu, a great theater in Barcelona, along with a big symphony orchestra.

Explores the life and musical career of Migue Benítez, a key figure of the "garrapatero" sound and co-founder of Los Delinqüentes. Through personal testimonies and archives, this documentary traces his origins in Jerez de la Frontera, his creative process, and the unforgettable impact that his art left on those who shared his path.

The young gypsy Peret and his friend Fidel are owners of an inn frequented by tourists. Peret orders the expansion of the business to a young decorator, who falls madly in love with him. Fifth feature by the Rumelo Peret, built for his brilliance, which here plays the owner of a tourist inn, a gypsy rumba singer whose songs will love both a young woman and her mother. A friendly comedy that has as its background the tourist boom of Spain in the late 1960

In this Pete Smith Specialties short, two professional dancers beautifully demonstrate the rumba and conga while actors humorously display some incorrect techniques for those dances.

A bored society girl sets her sights on a dancer in a Broadway show.

Juan Jose Moreno Cuenca, alias the Heifer, is 23 years old and tells his story as a criminal offender from 1 Ocaña Toledo. Fatherless, the offender has his childhood and how everything changed when her mother went to prison.

French-language documentary on the History of Congolese rumba.

A documentary about the making of The Turin Horse, the last film directed by Hungarian master Béla Tarr.

An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.