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The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America's most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison's death in 1971, it follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.

Poet, singer / songwriter and ladies man Leonard Cohen is interviewed in his home about his life and times. The interview is interspersed with archive photos and exuberant praise and live perfomances from an eclectic mix of musicians, including: Jarvis Cocker, Rufus & Martha Wainwright, Teddy Thompson, ANOHNI, The Handsome Family and U2's Bono and The Edge.

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

In the 16th century, poet, playwright and part-time actor Miguel de Cervantes has been arrested, together with his manservant, by the Spanish Inquisition. They're accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other inmates gang up on Cervantes and his manservant, staging a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense—the story of Don Quixote.