
Naomi

Layla

Finn

Lucas

Taro, who recently graduated from high school, doesn't know what he wants to do. He rents a house and plot of land in the country-side determined to make a living in agriculture. His expectation is great as the girl he likes, Yoko, will also go with him, but his father, recently laid off by his company's down-sizing, is also tagging along and so begins the the trio's strange life in the country. Set at a solitary house in the middle of the desolate, country-side, the relaxed tempo and off-hand humor are impressive despite the themes of parent-progeny conflict and reconciliation that unfold in the film.

Bad Indian – The Villain Origin Story, is a coming of age comedy-drama about Abbey, a young woman from Croydon. When Abbey lies to her strict Catholic Indian Mother about her rejection from Cambridge University her only method of escapism is to have one memorable night at the infamous Tiger Croydon’s A-Level Results Party. But what happens when the truth she's been running from violently slaps her in the face.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Nine years later, Jesse travels across Europe giving readings from a book he wrote about the night he spent in Vienna with Celine. After his reading in Paris, Celine finds him, and they spend part of the day together before Jesse has to again leave for a flight. They are both in relationships now, and Jesse has a son, but as their strong feelings for each other start to return, both confess a longing for more.

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.