PaaPaa Chipskwenewh Sibii

a short film about the end of the world. filmed with an old digicam at a park on all souls’ day, 2025. two best friends talk about turtles and watch people in their natural habitat while listening to tomate cereja.

Pulitzer prize-winning photojournalist Don Bartletti shares heart wrenching stories from his forty year career documenting history as it unfolds. Internationally recognized for his commitment to photographing the migration of Central Americans to the United States, Bartletti’s images reveal the never ending saga of illegal immigration by individuals desperate to improve their lives.

The unfathomable police murder of George Floyd on May 25th, 2020, sparked a global uprising, the epicentered in a Minneapolis neighborhood. An immersive observation of unrest in the five days between the murder of Mr. Floyd and the charges filed against police officer Derek Chauvin.

Audio Caña, an old farmer in rural Venezuela, believes there is a giant alligator living in his pond. With his family's help, he's determined to prove its existence to his friends who are often dissuaded by his exaggerated stories.

Matimekush is landlocked in the former mining town of Schefferville, 700 km north of Sept-Îles. It was founded in the 1950s, when the Canadian government and Iron Or forced the Innu to settle down. In Canada’s Far North, there is a dire labour shortage. At Kanatamat School, the heart of the community, most of the high school teachers are from Africa.

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

This film takes a candid, inside look at the world of juvenile delinquency. We are shown the tough existence on the streets of Montreal, but it could be any city in North America. Some boys as young as ten years of age talk about their lives of crime, the things that are important to them, and the hopes they hold for the future.

Miguel has been dedicating himself to the pulque craft for more than 25 years, however an addiction to drinking almost ends his life.

Motivated by family memories, a filmmaker returns to the land of his mother to reflect on his identity and deep cultural heritage.

Two farmers are stripped, without warning, of a large part of the land they work.

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

From the break of dawn until the darkness of night, the *tianguis* is born and dies in the streets of Mexico City. It is during these fleeting hours that we can find an endless array of colors, sounds, and unique personalities.