The Good Manners

A doctor, who commits malpractice in a major urban hospital, retreats to a remote house in the countryside. Although he is acquitted, his conscience is not so easily appeased. When a murder occurs and the southern Styria village searches for the culprit, he has to take a stand.

Germany at the time of the economic miracle: the boorish and equally rude Jupp Grapsch has made a small fortune through his bustling activities. His wife Lisbeth, on the other hand, does not feel comfortable with this, but silently accepts the circumstances. Even when Jupp gets involved with the somewhat disreputable Nina Sonntag, an extravagant young woman, she accepts this at first. At some point, however, the situation escalates and Lisbeth slips a slap in the face, which Jupp cleverly wants to use to finally get rid of his wife by divorcing her. But Lisbeth refuses and so Jupp hires an unscrupulous man to create a reason for the separation in exchange for money...

Based on a novel by the late Finnish writer Timo Mukka, this simple story focuses on what happens when Milka (Irma Huntus), a girl barely out of childhood, gets pregnant by Ojanen (Matti Turunen) a rustic fieldhand. Her own mother had been hoping to marry Ojanen, and her daughter's pregnancy turns their lives around. Set in the Lapp country of northern Finland, the scenery is breathtaking, made even more so by the isolation of the region. A sense of natural solitude is underscored by a slow-moving dialogue interspersed with long silences, and the connection between nature and the dialogue is underscored as the young Milka recites poetry while out in the countryside. The fate of Milka and her mother, however, is connected to the decision that Ojanen makes at the end.

Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs back into his life dressed like a ninja and summoning him for an ingenious campaign of revenge, he follows. After their all-nighter ends and a new day breaks, Quentin arrives at school to discover that Margo, always an enigma, has now become a mystery. But Quentin soon learns that there are clues, and they're for him. Urged down a disconnected path, the closer Quentin gets, the less he sees of the girl he thought he knew.

A married woman and a drifter fall in love, then plot to murder her husband.

George Walters is a youth who is dominated by Bleary, a heartless bully, who forces him to pose as the son of millionaire George Warring, kidnapped as a baby. The missing son had a twin brother who had recently died, but a painting of the shadow of the late son is on one wall. Walters' shadow matches this painting perfectly, establishing him as the missing son to the Warring family. Walters falls in love with Warring's daughter Lucia and finds that the family attorney Glaxton is slowly poisoning the old man.

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

On a quiet street in Helsinki, Sachie has opened a diner featuring rice balls. For a month she has no customers. Then, in short order, she has her first customer, meets Midori, a gangly Japanese tourist, and invites her to stay with her.

A young social climber wins the heart of a beautiful heiress but his former girlfriend's pregnancy stands in the way of his ambition.

An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.

Forced out of his elite unit, a troubled cop launches his own rogue investigation when mysterious killings claim the lives of his former colleagues.

Vladimír Michálek chose an unconventional adaptation of Franz Kafka's novel for his feature debut. Artistically reminiscent of the classic films of Karel Zeman, the director reinterpreted this dark story of a man vainly seeking a place in a rigidly ordered society by changing the desperate conclusion into a happy end. The film provided Czech comedian Jirí Lábus with a new kind of role: that of the despotic uncle of a main hero Karel Rossman (Martin Dejdar).