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Determined to break free from her insignificant role as a bread-toasting line cook, Annie's inventive spirit clashes with Chef Louie's strict rules, sparking a culinary clash that challenges the restaurant’s status quo and ignites her own journey of self-discovery. As Annie navigates the chaos of the kitchen, she unearths the memories of her father's teachings, using them as inspiration to transform her outlook and prove that her creativity is more than just a garnish.

The narrative unfolds as a timid young man, Cal, arrives for a date at the penthouse of June whose house resembles a whimsical modern art installation almost like Pee-Wee's Playhouse. He offers her roses, only to have them immediately rejected. What follows is a series of absurd, slapstick-inspired events—breaking a decorative bust, accidentally putting a fish in the June’s drink—that culminate in Cal posing shirtless on her indoor “beach” set, sparking June's creative epiphany and leading her to photograph him for a Vogue ad campaign. This short film was created in 1987 under the mentorship of Martin Scorsese while Gruber was a student at Columbia Film School, and has since earned a place in exhibitions at New York’s MoMA, cementing its status as a noteworthy artistic work.

The film is based on the classical painting by Vincent van Gogh. The painter wanders through the landscape of his paintings a watches scenes from rural life. In the end he gets invited to a country house where he sees the potato eaters. The suggestive film honours van Gogh’s handwriting but shifts it to black and white.