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City-bred Ramu is involved in petty crime. When his close friend Gopal asks him to go to the village and look after his mother and sister Chanda, Ramu does so. After coming to know both mother and daughter, they decide to re-locate to the big city to be together with Gopal. In the process, Ramu and Chanda fall in love with each other. Chanda wants Ramu to give up his life of crime, but will his crime partners allow Ramu to lead a normal life?

This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.

Babu works for three underworld dons and must go to prison to protect them. When his sentence is over, he returns home to find that Purnima (his wife), Arjun (his son) and Pooja (his daughter) live a destitute life. When he confronts his bosses, he is beheaded in front of his wife and children, and his daughter is abducted. Purnima (Raakhee) loses her mind, and is hospitalized in a mental hospital. Growing up, Arjun (Akshay Kumar) becomes a high profile vigilante. As for Purnima, she becomes terribly ill and can be saved only if she sees her daughter again. Thus, Arjun decides to re-unite his mother and sister. In order to do so, he must discover the identity of his father's killers.

Half-caste bandit Omkara Shukla abducts his lady love, Dolly Mishra, from her family. Thanks to his cleverness, he gets away with the kidnapping. A conspiracy, however, forms against him when he denies his right-hand man, Langda Tyagi, a promotion. Ultimately, this plot threatens not only his relationship with Dolly, but their lives and those of their associates as well.

Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phoolan Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.