Shoreline

A short vacation should let the 17-year-old, deaf-mute Veronika forget the death of her beloved father, so the plan of her mother Christina. The place of recreation, however, is not chosen happily, due to lack of money: Gut Vorwald in the Sauerland region belongs to the mature nobleman Benno von Caldern, to whom Christina once pledged herself in her youth before meeting her future husband and renouncing Benno. Under the golden roof of autumnal oak crowns, the feelings of the past return, not without dramatic consequences.

High school music teacher, Morimura Yuuki, is the concert master and first violinist of the amateur orchestra, Fujimi Orchestra. Surprisingly, a young conductor named Tonoin Kei (known as a musical genius) joins this small orchestra to conduct. Even though Tonoin is a strict conductor, all the members adore him for the notable improvements in their performances and soon Yuuki feels his efforts for the orchestra have been fruitless. Yuuki soon comes to the conclusion that his crush of 3 years likes Tonoin, and he decides to give up on her and leave the orchestra. Tonoin refuses to let him quit, confessing that he loves Yuuki, which reveals that he's gay. Tonoin's love confession confuses Yuuki and it leads to a very horrible misunderstanding.

In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)

Valentín, a political prisoner, shares a cell with Molina, a window dresser convicted of public indecency. The two form an unlikely bond as Molina recounts the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna.

A young couple must face sacrifices when one of them receives a better opportunity elsewhere, throwing the relationship into jeopardy.

In this experimental short film, a young man and woman enter into a relationship with one another and quickly learn the ups and downs of intertwining their life with the one they love.

Before a global catastrophe ends life on Earth a young man struggles to tell his best friend how he feels about her.

With the wedding of her younger sister fast approaching, Kat Ellis faces the undesirable prospect of traveling alone to London for the ceremony. While this is bad enough, Jeffrey, the man who left her as they moved closer to marriage, happens to be the groom's best man. Determined to show everyone -- most of all Jeffrey -- that her romantic life is as full and thrilling as ever, Kat hires a charming male escort as her date.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Jane is a boxer, preparing for the championship of her life. She wants to win but it's difficult to keep focus when her girlfriend Tanja wants to start a family. When Jane meets Karoline new emotions arises and she decides to leave Tanja. The training escalates, and suddenly Jane seems to be unable to get the firm foothold that she so desperately needs in both her life and in her career.

A lonely, heartbroken man, Philip, builds his own radio in an attempt to make contact with his wife, who is lost in space. He won't lose hope, but will he reach her?