La sconfitta di Trotsky

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…

A claustrophobic plunge into the dystopian heart of darkness inspired by the director’s own detention, "Tomorrow Was War" unspools on a fraught New Year’s Eve in a Russian police state. Shura, a trans man hiding in plain sight, dreads his prying neighbors and the inevitable knock at the door. As the night fractures, so does the narrative — steered by the officer who arrested him, an architect of memory who twists history, truth, and identity to his will.

A seventeen year old Russian Christian performs a daring escape to get away from the religious persecution of the Soviet Union. He comes to America and stays with a Christian family. While attending the local high school, and much to his surprise, he suffers a different kind of persecution because of his belief in God and the Bible.

2025, the year of the intensification of a total and deadly war, which nothing and no one seems able to stop, targeting military personnel and civilians, and which has now claimed more than 1.5 million lives or left that many wounded on both sides. But 2025 is also the year of our break with Donald Trump's America, an America with violent and unpredictable reactions, which risks abandoning the old continent, its most loyal ally for 80 years, for Vladimir Putin. How can we stop this bloodshed on our doorstep? How can we contain the master of the Kremlin, a dictator whose predatory logic threatens to spread beyond Ukraine? Sabotage, ghost ships, interference operations, and drone flights: he is already waging a hybrid war against the rest of Europe. Is armed conflict between Europe and Russia now a possibility?

Cold War tensions climb to a fever pitch when a U.S. bomber is accidentally ordered to drop a nuclear warhead on Moscow.

September 2022 marked the 50th anniversary of the Summit Series, the iconic hockey tournament that pitted the best players from Canada against the best from the Soviet Union. This documentary enlarges the canvas to tell the story from the unique perspectives of a diverse group who are rarely, if ever, heard: diplomats, NHL hockey legends, Soviet players, journalists, fans, broadcasters, business leaders and Team Canada’s Chairman – all reveal untold stories about what happened before, during, and after September ‘72.

United by the same dream, Yves Fagniart and Olivier Larrey, watercolorist and wildlife photographer respectively, set up home in a shack just a few square meters square, in the middle of the no-man's-land between Finland and Russia. Their aim: to document the intimate life of a pack of wolves, presumed to frequent this frozen peat bog landscape.

This lesson in political revelation focuses on the shooting down of the Malaysian passenger jet MH17 over eastern Ukraine in 2014. A meticulous, investigative exposé that lays bare the mechanisms of Russian warfare.

When Gleb, a successful company director, finds himself under siege from mounting corporate pressures, an increasingly unstable world, and the discovery of his wife's affair, the collapse of his carefully ordered life accelerates toward violence.

Filmmaker Steve York explores the controversial 2004 Ukrainian presidential election, during which candidate Viktor Yushchenko suffered a near-fatal poisoning and his unpopular opponent, Viktor Yanukovych, was declared the winner. In the aftermath, more than a million people -- including the ailing Yushchenko -- took to the streets of Kiev, protesting the results that contradicted exit polls showing Yushchenko with an impressive lead.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.