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Haya's convinced she's going to die before thirty, so she's living like it — loud, reckless, completely unfiltered, no brakes. Then one of her stunts goes wrong and lands her in the ER... right into Youssef. A heart surgeon. Calm, controlled, lives by a schedule. The human opposite of her in every way. Naturally, she decides he's her destiny. What follows is chaotic, funny, and a little bit ridiculous — neon nights, strange rituals, the kind of moments you can't plan for. Her countdown keeps ticking. His walls keep cracking. And somewhere in between, they both start remembering what it actually feels like to be alive. A love story for anyone who's ever felt like too much.

Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, spawning arrays of divisional articulations in time and space.

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

The world shifts subtly while silent watchers already understand.

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

A lensless exploration of hair on 35mm film.

A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.

Summer of 1999. Aspiring filmmaker Nik's search for love intertwines with a fantasy western he's writing, and Sapna, a visitor from India. As they navigate love, identity, and their pasts, they find the courage to embrace their future.

Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.

In Flesh Flows we see a balance of Beckett’s keen drawing ability, in the probing erotic forms, and his technical acuity, which transforms the carnal images into a compelling, transcendent experience. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.