Dreamers

A widower and his daughter witness the retirement of a colleague of his and the closing of her department at her university.

A recently broken up couple spends their last evening together: for one of the girls this is the last chance to revive their relationship, for the other – to show the true meaning of it and why it should have ended.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

Following political upheaval, traditionally poor countries have stopped exporting raw materials. The Western world is entering an economic crisis, which is rapidly spreading to Norway. Unemployment rises sharply, and it becomes more difficult to obtain food. The government does not officially acknowledge the crisis, but fear spreads among the population. Demonstrations between the population and the police are now a daily occurrence. Thomas and Vera are also unemployed. The only way out of their predicament is to move out of the city and rent an abandoned farm. The sale of food is banned. Military forces arrive to confiscate what little they have. Later, the city population follows, traveling to the countryside in panic to secure something to eat.

Chai is a recent graduate. Although he felt controlled, he would follow his father's wishes for his life, which caused him to be unhappy. One night, while drinking at the bar, Chai met a friendly stranger who looked after him.

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

A bank accountant who moonlights as a high-priced call girl becomes embroiled in the lives of a money launderer, his seductive wife, and his bodyguard.

Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.

A young couple nearing their nine months anniversary hit a road block when one decides to have lunch with an admirer. The relationship is tested as they face their insecurities along the way.

Officer Blanca Bravo arrives in Juarez, Mexico — a grim nexus of corporate colonialism and sexual tourism — to investigate a rash of killings targeting female migrant workers. But with no help from the locals, bringing the responsible parties to justice becomes a frustrating exercise. As Bravo rails against indifference and local corruption, she finds herself on a collision course with Mickey Santos, a Mexican mogul with a taste for young prostitutes.

After the death of his parents, teenager Max discovers in himself an unusual ability to move into other people, penetrating into their minds. The viewer gets acquainted with the grown-up hero, behind whom there are already several journeys into the depths of the human mind, and one of them, the most pleasant for Max, is connected with the beautiful artist Vera. With her help, Max comprehends the true beauty of nature and the harmonious integrity of the world, and also shares his own unique knowledge with the girl. Together, the heroes have to go through a fascinating path, the routes of which lie far beyond the usual perception of reality.

A year after Sheila is killed in a hit-and-run, her multimillionaire husband invites a group of friends to spend a week on his yacht playing a scavenger hunt-style mystery game—but the game turns out to be all too real and all too deadly.