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A young Mormon couple is attacked by a bunch of outlaws. They kill the man and the woman is raped several times and left for dead in the desert. With the last ounce of her strength she gets to the hut of an old hermit who nurses her back to health and teaches her how to shoot. The woman then frees three female criminals and seeks vengeance on the outlaws.
A new staging of Christopher Hampton's celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin. Marquise de Merteuil is a master in the art of survival. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire. But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path. Filmed live at the National Theatre, Marianne Elliott directs this thrilling game of love, lies, and social warfare.
Range Law stars Johnny Mack Brown as "Nevada" and Raymond Hatton as "Sandy", the same characters they played in most of their mid-1940s Monogram westerns. This time, Nevada and Sandy, US marshals both, set out to collar some renegades who've been driving out the local ranchers. It's just possible that one of said ranchers is behind this land-grabbing scheme.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
Trailing outlaws, Lucky runs into a trap and loses his horse. The outlaws then use his horse to frame him for murder. During his fight with the outlaws he recognized one of them and he now has Cannonball get him out of jail. Then he gets Cannonball to lead the outlaw out of town where he hopes to beat a confession out of him. After clearing himself he plans to go after the boss of the gang.
Dan Stanton and Condon are foreclosing on a group of ranchers in order to gain a land-monopoly. They have one of the ranchers, whose property supplies the others with water, killed. Ann Jennings, niece of the rancher, sends for U. S. Marshals Nevada Jack McKenzie and Sandy Hopkins, who organize the ranchers who take over the dead man's property and blast the dam releasing needed water to all the ranchers. Nevada and Sandy, aided by the sheriff, round up Stanton, Condon and their gang members.
During a trip to Brazil in 2022, Augusto (15), an introspective and dreamy young man, becomes enchanted by Antônio (16), a magnetic and unpredictable boy from Belém. Amid the heat of the World Cup and the waters reflecting a fleeting encounter, a fragile connection is born, stretching across distance when Augusto returns to Italy, turning desire into obsession. While Augusto loses himself in idealizations and the emptiness of delayed responses, Antônio continues his life between parties, friends, and fleeting loves. What begins as a promising romance crumbles under the weight of time, silence, and the things that were never said. As the years pass, Augusto is forced to face an inevitable truth: some loves do not belong to the future, they exist only in memory. An intimate and visceral portrait of love, loss, and growth, Anchorless delves into the fragility of first feelings and the pain of learning that not every story is destined to last.
