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A marching band of Germans, Italians, and Japanese march through the streets of swastika-motif Nutziland, serenading "Der Fuehrer's Face." Donald Duck, not living in the region by choice, struggles to make do with disgusting Nazi food rations and then with his day of toil at a Nazi artillery factory. After a nervous breakdown, Donald awakens to find that his experience was in fact a nightmare.
Based on the book by Major Alexander de Seversky's about his theories of the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film shows de Seversky illustrating his ideas of how air power could win World War II for the Allies.
The first Greek animated film was shot by the cartoonist Stamatis Polenakis (1908-1997) with the title "The Duce tells...". The seven-minute "Mickey-Mouse-style" film, as its creator mentions in the credits, satirizes the Italian invasion of Greece on October 28, 1940, and especially Mussolini, who recounts his exploits, but reality constantly contradicts him. Stamatis Polenakis, one of the leading Greek cartoonists of the 20th century and a pioneer of animation in our country, began drawing the sketches for the film in 1942 in his hometown, Sifnos, where he had taken refuge during the Occupation. He worked under the boot of the Italian conqueror, risking arrest. The film was lost during the Civil War and it was not until 1980 that a negative was found and restored.
Lu Dahai and his shipbuilding team want the 10,000-ton ocean freighter "The East" to be given a sea trial. But the ship is made with domestic parts, and Chen Zongjie, a leader of the Party Committee of the Bureau of Foreign Transport, believes that the quality is not sufficient, and orders that the parts be replaced with imported ones before the sea trial takes place. In the end, the sea trial not only sets a successful new record, but also rescues a Taiwanese fishing boat in distress.
This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.
The first Japanese feature-length animated film. It was directed by Mitsuyo Seo, who was ordered to make a propaganda film for the war by the Japanese Naval Ministry. Shochiku Moving Picture Laboratory shot the 74-minute film in 1944 and screened it on April 12, 1945. It is a sequel to Momotarō no Umiwashi, a 37-minute film released in 1943 by the same director. It is black and white. The whole movie also depicts the Japanese "liberation of Asia", as proclaimed by the Government at the time. Seo tried to give dreams to children, as well as to instill the hope for peace, with hidden movie's hints of dreams and hopes, under the appearance of war propaganda.
