Loaf

Dimos Avdeliodis pays homage to Charles Chaplin and all his favorite silent heroes. This is the first film he directed.

Love has packed up and left the castle. The queen has snuck back to her Kingdom of Skedaddle. But one person’s loss is a scoundrel’s gain: Bonifacio, a teller of tall tales, sees in the forlorn queen the perfect target for his hackneyed charms. As summer approaches, he changes himself into a sweet talker and sings her praises. Things would have worked out perfectly if only Princess Molly hadn’t arrived on the scene. While visiting her mother, she quickly discovers the hoax: the queen thinks she’s found a new husband in Bonifacio. But the swindling storyteller is really only interested in the kingdom’s legends.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

John Brown is a bumbling but well-intentioned security guard who is badly injured in an explosion planned by an evil mastermind. He is taken to a laboratory, where Brenda, a leading robotics surgeon, replaces his damaged limbs with state-of-the-art gadgets and tools. Named "Inspector Gadget" by the press, John -- along with his niece, Penny, and her trusty dog, Brain -- uses his new powers to discover who was behind the explosion.

Guy meets his ex-girlfriend in a bar in his attempt to get her back.

A woman in the midst of a devastating breakup is invited to her ex-boyfriend's apartment to return his keys. However upon arriving, she discovers she has been stood up. Left to her own devices in his empty apartment, she decides to revel in the nostalgic trappings of a place that once felt like home. In an unexpected turn of events, she is forced to confront her present when someone suddenly returns home and finds her in a compromising state.

The morning after a one-night stand, two young men must figure out what kind of relationship they want. But they want opposite things: One of them just wanted casual sex, while the other wants something more.

Oscar works at a company that designs mental simulations, technologies that expose the crumbling inner worlds of patients. What begins as observation soon draws him deeper into these fragile realities, until the line between watching and living dissolves.

Spoken by the collective digital voice of a group of queer artists and activists, this collaborative project speculates about the possibilities of a temporality yet to come.

Johnina seeks revenge on her childhood abuser and the community that enabled him, with the help of a duck.

A documentary chronicle of one of our greatest directors.