Right On!

Each World Trade Center tower consisted of 110 floors. Each floor has a story. In this two-hour special, survivors from two of those floors, many speaking publicly for the first time, tell their stories. Focusing on one floor in the North Tower and one in the South, this film will provide a never-before-achieved intimacy with what it was really like to be inside the Twin Towers on 9/11.

A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

To do this documentary, the director Pedro Henrique Fávero featured 42 characters - among MCs, DJs and producers - to make a detailed map of its kind in the country. Without mincing words, they speak openly here about 8 topics proposed by the film and try to understand Hip Hop in Brazil. The result is a collection of stories from a lot of fighting, where there are many eternal start-end-start, overcoming the difficulties of being understood and feeling of belonging to a group and many clichés.

A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.

By the dawn of the 21st century, hip-hop sales had reached an all-time high, but one thing has remained the same. The doors were still locked, and the music industry held the keys. Young artists began to self-market on the Internet, ultimately helping to collapse the music industry as we knew it. It’s Yours explores how it became possible to become a rap star through a Twitter account, YouTube site or Myspace page. It tells this story through the unique perspectives of numerous artists, producers, record industry insiders, and music and cultural critics.

This documentary follows rapper J. Cole's 2016 HBO concert film feature on the making of his fourth studio album 4 Your Eyez Only. The film Includes musical performances from Cole, as well as stories from low-income residents in cities around the country, such as Baton Rouge, Atlanta, and Cole's hometown of Fayetteville, North Carolina.

On the evening of April 30, 1971, a standing room only audience of local literati and feminists packed New York City’s Town Hall to watch Norman Mailer, who had just written “The Prisoner of Sex,” grapple with a panel of passionate feminists. The subject was Women’s Liberation, an issue on which Mailer seemed like the devil’s own advocate.

Childhood best friends and Hip-Hop artists, Michelle Shockley and Brandon Rothrock, struggle with their lives and artistic endeavors as they mourn the loss of their crew member and find themselves moving in different directions.

Live performances, videos (BTNHResurrection album), interviews & more.

In response to the Detroit riots of 1967, where racial tensions in the city reached a breaking point, the city decided that the way to resolve these tensions would be to put more resources into employing Black people. Namely, chronically unemployed Black men who they refer to as "the hardcore." And predominantly, employing them on the line in auto assembly plants. But in the words of Lloyd Love, a young Detroiter interviewed in the film, this PBS documentary poses the question, "Do you think a job is the answer?" The film explores this question in 1968, by speaking with workers, unemployed people, union activists, students, people who implement city-run employment programs, members of DRUM (Dodge Revolutionary Union Movement), and the Detroit Industrial Mission.

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.