Puedo regresar fácilmente al pasado, pero ya no hay nadie ahí

Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.

This chronicle of the Christchurch Commonwealth Games marked one of the National Film Unit's most ambitious productions. Though a range of events (including famous runs by John Walker and Dick Tayler), are covered, the film often bypasses the pomp and glory approach; instead it dares to talk to the injured and mention that most competitors lose. The closing ceremonies of the "friendly games" feature the athletes gathering to — as the official song's chorus put it — "join together". Four directors joined together to work on it: Arthur Everard, John King, Paul Maunder and Sam Pillsbury.

Based on home movies shot on Super 8mm film, A Family Film places the mother at its center as the narrator while tracing the memories of a family living in Istanbul in the 70s.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Chiyo is a poetic exploration of the suburbs in Japan through the filmmaker’s reflection on the life of her grandmother. With a series of everyday moments in Yashio from a summer fair to Buddhist rituals, the film embodies micro-narratives, seeking cinema’s ability to offer a contemplative space.

A documentary about the possible ties between H.P.LOVECRAFT and the Polesine region (Italy), stimulated by the casual discovery of a mysterious manuscript attributed to the great American horror writer died in 1937.

La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.

Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

Biopic filmed in a single shot about the Majorcan musician Juanjo Monserrat.

"Giraffes: The Forgotten Giants" delves into the reasons behind the "silent" extinction of giraffes worldwide, and introduces us to the scientists who are gathering new information that may stave off their decline.

One day, Isaías Dueñas had the dream of becoming part of the Martial Arts Universe, but to achieve this, he had to face to different situations and competitions that would make him challenge himself as a competitor but much more as a person. One of this competitions was Full Contact. Isaías tells us the story of his life.