Documentary
Metzer 58 play Punk. They were founded in a meet-up at Lebenshilfe Münster, an NGO that provides housing and other services to people with disabilities. The band consists of disabled people and able-bodied people. That doesn't really affect the topic of their songs or the amount…
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This feature documentary is a profile of Canadian press tycoon Roy Thomson, whose single-minded attention to business brought him riches, power, and even a baronetcy in England. A native of Timmins, Ontario, Thomson had a tremendous career as publisher, television magnate, financier, and owner of many newspapers, including leading London dailies. The film is a frank study of an equally frank man.
Through ten carefully chosen cover versions that whisk us from the British Invasion to a noughties X Factor final, this film journeys over five decades to track how artists as varied as The Moody Blues, Soft Cell, Puff Daddy and Alexandra Burke have scored number 1s with their retake on someone else's song. Each of the ten classic cover versions has its own particular tale, tied not only into its musical and cultural context but also the personal testimony of the artists, producers and songwriters whose lives were changed in the process.
A "life without work" - this is the idea propagated by the "Anarchist Pogo Party of Germany" (APPD). In order to spread its unique political concept and to make the background to its activities appear transparent and credible to the voting public, the APPD commissioned a renowned film production company to create a loose mixture of subliminal propaganda and sympathetic trivialization. The film was also to focus on the glorification of the APPD politicians appearing in the election campaign in order to create the basis for a profitable cult of personality. A film that makes it crystal clear, compelling and, of course, intentional that the mob is on its way to power.
Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.
Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.
