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YOUTH YEAR ZERO questions young people from all regions of Quebec about their aspirations, their perception of the Quiet Revolution and the progress accomplished by Quebec society.
No cast information available.
Fred is a drag queen performing on a cabaret stage when he learns that his father, Jean, has died. In the emergency room, he comes face to face with his ghost. Over the three days following this event, Fred and his sister Cassandre try to organize Jean's funeral while Fred seems to be the only one to see him.
A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)
Pınar Gültekin went missing on July 16, 2020, in the Ula district of Muğla, and her lifeless body was found on July 21, 2020, in a rural forested area of the Menteşe district. The murderer, Cemal Metin Avcı, first wounded Pınar, then burned her, and finally poured concrete over her body. Through Pınar’s case and historical precedents, the film exposes how impunity perpetuates these crimes while highlighting women’s hard-won legal victories and solidarity networks. It juxtaposes the brutality of her murder with her friends’ relentless campaign to preserve her memory, framing their activism as part of a broader feminist resistance. By connecting individual trauma to systemic failure, the film challenges viewers to confront both the roots of gender violence and the transformative power of collective struggle, where mourning becomes mobilization, and loss fuels demands for justice.
A real labour of love, this film is a fine demonstration of how amateur filmmakers could play a part in campaigning for local services. With the impending Beeching Report of 1963 there could hardly have been a better plea for the retention of the Settle to Carlisle railway and all its services than this traversing of the whole length of the line by train and by foot, stopping off to reveal its many wonders and recording the fascinating history of the line and of those who built it.
The association of Whitby with Bram Stoker’s Dracula is fairly well-known; the writer Leo Walmsley less so. Michael Clegg takes us on a journey around the places that inspired both authors, Whitby and Robin Hood’s Bay, just five miles apart on the Yorkshire coast. With the help of excerpts from two films based on their novels, ‘Turn of the Tide’ (1935), and ‘Scars of Dracula’ (1970), Clegg provides a guide to their work and the very different tales they have to tell.
An educational film intended for children from 6 to 8 years of age. ‘We Grew A Frog, 1970’ tells the story of two schoolchildren, Lynne and Martin, who collect frog spawn from the village pond, take it to school, and there, in a tank, watch the spawn grow into frogs. The film shows in close-up the developmental stages of the spawn-to-frog process. This educational film features the pupils of Whatfield School in Suffolk. Headteacher, Gwen Dunn wrote and told the story.
