Ka Ho‘ina: Going Home

Amateur film of the passage to India - complete with guest appearance by Gandhi.

Amateur footage of Delhi and Jaipur, from a military review to an atmospheric torchlit procession - and some armour-plated elephants.

A mother and daughter, estranged by divorce and mental health issues, reconnect through patience, understanding, and their a shared appreciation of their Native Hawaiian heritage.

Amateur film showing daily life in Bundi, India.

Evocative observational scenes of Simla and Lahore, including the gorgeous Shalimar Gardens and Anarkali Bazar.

In the swirling volcanic steam and misty rain forest of Kilauea volcano’s east rift zone on the island of Hawai’i, two forces meet head on. Geothermal development interests, seeking to clear the rain forest for drilling operations, are opposed by native Hawaiians seeking to stop the desecration of the fire goddess, Pele. Pele is a living deity fundamental to Hawaiian spiritual belief. She is the eruption, with its heat, lava and steam. Her family takes the form of forest plants, animals and other natural forces. But geothermal development interests see Pele as simply a source of electricity. When Hawaiians take the issue to court, they find that nature-based religions are not respected by U.S. law.

Amateur film of fishing and geese-shooting trips by a British party in India.

An in depth look at the toxic legacy of British colonial-era laws, which criminalise consensual same-sex love, while at the same time allowing perpetrators of sexual violence to go unpunished. More than 70 countries still criminalise gay sex. In over 30, rape within marriage is still legal. Behind these statistics are the people whose lives are paralysed by these archaic laws.

A scenes from a tour of Manipur State and a women's bazaar in Imphal.

A powerful film about the struggle to maintain Pacific Islander culture and values within the Westernized society of modern day Hawaiʻi. It is told through the lens of an extraordinary Native Hawaiian who is both a proud and confident māhū, or transgender woman, and an honored and respected kumu, or teacher, cultural practitioner, and community leader.

A meditative depiction of a colonial villa in Mungo, Surinam, taken back by nature.

A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.