
Jean Ravier
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The two brothers Jean and Pierre Ravier have opened almost all the "classic" (difficult) routes in climbing and mountaineering in the Pyrenees. Roped together at the waist using a few flat knots and little equipment, the two twin brothers achieved more than 200 firsts across the…

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Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

The story of the ascent of the Aiguille de la République by mountaineers Jacques Fromentin and Michel Bastien. The Aiguille de la République, in the Mont-Blanc massif, culminates at an altitude of 3,305 meters among the Aiguilles de Chamonix group of summits. In the Fontainebleau forest, children learn mountaineering techniques on the bouldering climbing site. In 1954, rock climbing was also practiced in the Chamonix valley. The Montenvers train crosses the viaduct taking tourists or athletes to the Mer de Glace viewpoint. The two climbers take an approach step and reach the Envers des Aiguilles refuge. They then climb this steep and smooth wall, progressing along the ridge. On the platform, a rope throw allows them to climb up and sit at the top to dominate the panorama. Then the return: abseiling from the summit block.

Three years after the 1959 expedition, abandoned 350m from the summit, Lionel Terray leads a new assault on Jannu, one of the most demanding peaks in the Himalayas. At the base camp, equipment and food rations are prepared. The conditions are optimal and the ascent can begin. The camera follows the progress of the mountaineers and Sherpas as closely as possible, from one high-altitude camp to another: installing fixed ropes, progressing over crevasses, in the middle of frozen towers, vertically down immense ice falls or along the edge of sharp ridges. From 7000m, oxygen bottles become essential, as the difficulty of the climb prevents acclimatization. The expedition is a total success: the majority of its members reach the 7710m summit.

On October 10, 2005, Angela Merkel becomes German Chancellor. After 16 years, she now wants to clear the field. We take a look back at the many different faces of our Chancellor. In addition to Wolfgang Bosbach, Gregor Gysi and Kai Diekmann, extreme mountaineer Reinhold Messner, presenter Nina Eichinger, comedian Wigald Boning, former minister Annette Schavan, former President of the Bundestag Nobert Lammert, actress Uschi Glas and entrepreneur Gloria von Thurn und Taxis share their very personal views.

Astor Piazzolla revolutionized the tango. By breaking with the codes of traditional tango, he brought this popular Argentine music from dance floors to concert halls around the world and is now recognized as a major composer of the 20th century. From numerous unpublished private archives, the voices of Astor and his children paint a unique portrait of this complex man.

A pioneer in Taiwan’s contemporary dance scene, Lo Man-fei receives a beautiful tribute from director En Chen, a decade after her passing. Three years in the making, Manfei traces the life and work of the dance legend, including her early days at the Cloud Gate Dance Theatre, her studies at New York’s most prestigious dance schools, and the founding of her Taipei Crossover Dance Company. Featuring rare footage of Lo’s graceful performances as well as candid conversations with her closest friends and collaborators, Manfei is a stirring journey into the heart of a true artist and a moving remembrance for a dearly missed member of the Taiwan art world.

Elizabeth Bagshaw was a forerunner of the women's movement. As one of the first women to practise medicine in Canada, she had to overcome society's bias against women in medicine. During her seventy-year career she helped to instigate change in public opinion on that issue, as well as the issue of birth control. The film captures the personality of this remarkable woman through a contemporary interview and re-enactments of episodes from her youth. The sepia tones of the re-enactments are in keeping with the film techniques of the time, giving the viewer a strong sense of the period. The film is of special interest to persons interested in the evolution of women's roles in Canadian society.

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