Gaza: How to Survive a Warzone

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

Twenty-five years after the verdict in the Rodney King trial sparked several days of protests, violence and looting in Los Angeles, LA 92 immerses viewers in that tumultuous period through stunning and rarely seen archival footage.

Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.

This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

Rafah is located in the southern Gaza Strip. It’s a city cut in two by the Philadelphia Road, a security corridor between Sinai and Gaza. It’s destiny changed during the night of 12 September 2005, when the Israeli army withdrew from the Gaza Strip. The Israelis evacuated the Philadelphia Road and the colonies surrounding the city disappeared. But Rafah would never emerge from its chaos. Rafah is the hub of arms trafficking between Egypt and the Gaza Strip. Since the Israeli withdrawal, these arms have contributed to the bloody wars between families. After the Hamas victory at the legislative elections, the city sank into a major economic crisis. On 25 June, 2006, Israeli corporal Gilad Shalit was abducted by Palestinian militants using a tunnel dug from Rafah. In reprisal, Tsahal shelled the houses of arms dealers located along the Philadelphia Road. By 12 September, 2006, a year after the withdrawal, all hopes of rebirth had died.

The Israeli-Palestinian conflict is drawn at the border towns of Sderot and Gaza, neighboring towns separated by a wall and a few hundred yards. People on both sides hate each other; their governments interact only through bombs and wars.

Avi Amit’s “Real Time” documentary outlines the Israeli far right’s plan to resettle the Gaza Strip.

A meeting between two strangers sparks the desire to understand each other through the medium of cinema. They both simultaneously start recording their surroundings on camera and crafting the resulting footage. They, Elettra from Italy and Hazem from Gaza, become the subjects of this film that documents their first moments together. It depicts a multi-faceted reality in which North and South confront each other in a discussion on rights and inequalities, a reality in which we witness a migration towards one another, while capturing an intimate way of making a film together.

Going behind the usual images of war-torn Gaza, Swiss documentarian Nicolas Wadimoff offers this look at how people survive despite constant threat of danger. Children still play, rappers still create music and families still love one another. In addition to visiting the United Nations Food Distribution Center, Wadimoff films at a derelict amusement park and profiles the DARG TeaM rappers, whose politically charged music proclaims their defiance.

The Shrimp is a lush visualist's documentary that follows the life cycle of a shrimp along the marshes of Savannah, Georgia. Beautifully etched images and a canny audio soundtrack create a rich observational work about Southern culture, human folly and the interplay of natural and built environments.

Employing methods of direct cinema–observation, limited stylization, and non-intervention–this stark look into the State Prison for the Criminally Insane in Bridgewater, Massachusetts shows its denizens, who were often kept in barren cells and infrequently bathed, forced to strip naked publicly, force feeding, and the indifference and bullying by many of the hospital's staff.