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What happens when you combine a renewable energy sailboat with an arctic ski expedition in Greenland for the first time ever? Athletes Rachael Burks and Jessica Baker put the idea to test, and endure a both harrowing and inspiring journey along Greenland’s West coast fjords and towering mountains. What ensues is an inspiring and formidable journey as compromise and progress go hand in hand.
Catalan adventurer and elite kayaker Aniol Serrasolses shatters boundaries on his Arctic expedition to Norway when he descends a 20m-high ice waterfall - the largest ever recorded kayak drop from a glacial waterfall. He and his team have to voyage across the arctic circle to the Svalbard archipelago in Norway to search for the elusive and temporary waterfalls. Once there, they must climb the treacherous glacial cliffs and hike for kilometers over the ice shelf to access the glacial rivers which run over the frozen cliffs and fall from the huge heights into the sea.
A diary of the Monzino expedition on the west coast of Greenland, carried out in July-August 1961. It included Guido and Franco Monzino (cousin of the manufacturer, who died in a car accident a month after the expedition), Mario Fantin, Jean Biche and the other guides of Valtournanche Pession, Antoine and Leonardo Carrel, Cerrutelli, Sartelli and Cap. Barberis, commander of the 'yacht'. It reaches the 74th parallel by plane and then travels along the coast of the island by boat. At a certain point the itinerary of the expedition underwent a forced change because the Italians had heard by radio of a mountaineering disaster affecting a group of Belgian climbers. They change course and in a generous race of human solidarity bring help to the victims.
A "team of savages," as their boat captain Bob Shepton calls them, comprised of Sean Villanueva O'Driscoll, Olivier Favresse, Nicolas Favresse, and Ben Ditto, set off for Greenland to attempt a first big wall climb. Arriving in Asia by plane, they prepare the sailboat for two months of self-sufficiency. Accompanied by whales, seagulls, and icebergs, they train on various rock faces before beginning their ascent of the seemingly impossible wall. It takes them 11 days to complete the climb, braving bad weather, the rock itself, the wilderness, and three different bivouac sites—all accompanied by music, of course! The return journey is not without its challenges, as they must avoid a cyclone and cross the Atlantic to reach Oben in Scotland.
The Kalaallit people of Greenland have been intimately connected to the eternal ice for millennia. These massive glaciers stand as records of ancient eras of the planet – but recently they began disappearing. As the foundation of their traditions literally melts beneath their feet, members of the Kalaallit community work with artists to capture the images and stories of a vanishing landscape and way of life.
How in 1959, during the heat of the Cold War, the government of the United States decided to create a secret military base located in the far north of Greenland: Camp Century, almost a real town with roads and houses, a nuclear plant to provide power and silos to house missiles aimed at the Soviet Union.
The world's largest island has been part of Denmark since 1721, but a significant majority of the 56.000 inhabitants now want independence. They feel their culture and language is threatened and is the main reason for the many suicides among young people. But the Danish speaking Greenlanders feel discriminated and want to keep the ties to Denmark. The film follows four strong young Greenlanders, who each in their own way insist on taking responsibility for the future of their country. The documentary explores the difficult balance between the right to self-determination and xenophobic nationalism. Between traditional culture and globalization.
The relationship between Greenland and Denmark is full of fantasy and myths. And these are exactly what Danish artist Lasse Lau reflects upon – and in turn documents – in his first feature-length film. But how do you give a form to the Greenlandic experience when you are an outsider yourself? Lau has created a sensitive film about authenticity and recreation by letting both elements become a part of the work, together with his performers. But also by watching and listening intently. The colonial history is entrenched in both Greenland's infinitely beautiful landscapes and in the collective consciousness. But so is the willingness to break with it and look ahead with a new political self-awareness. 'Lykkelænder' is the result of a long-term research project, but talks about its extremely complex topics in a way that grounds the postcolonial perspective in a recognisable life experience. It does so with both a sense of humour and with emphasis.
