Beau comme un tracteur

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

The injustice of the Japanese internment is explored through the story of Kyuichi Nomoto, one of the first Japanese Canadians to graduate from UBC, who suffered a breakdown deep in the BC Interior.

An exploration on Paz's poetry by Paz himself, his childhood, his ideas about love and the nature of art

As the crucial question arises of the future succession of the Dalai Lama, we take a look back at the tormented history of the "Land of Snows" which lives under Chinese domination and which remains a geopolitical issue of the first order. A valuable documentary that gives voice to a people that China is trying to permanently silence.

The race for supremacy in the age of artificial intelligence is on: between the USA, China and Europe. Between big tech companies and start-ups. Who will win the competition? Will Europe be left behind? And who will determine a technology that will shape the future of humanity?

October 2018, France. Macron’s government decrees a tax increase on the price of fuel. A wave of protests starts to grow. Citizens mobilize throughout the country: this is the beginning of the Yellow Vests movement. In Chartres, a group of men and women gather daily. Among them, Agnès, Benoît, Nathalie and Allan commit themselves to the collective struggle. Like a whole nation, they discover that they have a voice to be heard...

The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.

The twelfth edition of the International Meeting of Collective Architectures was held in Palma de Mallorca, in the neighborhoods of La Soledat, Nou Llevant and Es Molinar, at the end of September 2019. The meeting focused on the imposition of false paradises and the description of the current mechanisms of urban transformation that expel people from their neighborhoods.