People's Limbo in RMB City

The first part of the Emilia animation series. Emilia lives in an apple tree forest. There, together with the other residents, she cooks apple jam. Everything goes smoothly until factory owners arrive and start making apple jam in their factories.

Apple Gatherers follows two workers in an apple cider factory, the Peeler and the Shoveller. The film explores the loneliness and dissatisfaction of their labour-intensive world and the brief reprieve they find in moments of real human connection.

A factory worker in a dark, gray world assembles devices that promise happiness. In his spare time he tinkers to create something better, and finally succeeds in perfecting his invention, which allows people to see life through rose-colored glasses, but he has to pay a price for his success.

Laiila’s journey that looking for an answer to the questions that plagued her mind. In the middle of her journey, Ale comes to help Laiila to define what happiness truly is.

Coin is not about chasing wealth. It is about what happens when people are pushed so far down that they stop reaching altogether and only fight to keep what little remains. In a system where value circulates freely but dignity does not, innocence becomes the last uncontaminated force capable of interrupting the cycle.

When a ship sinks during a storm, a slave from the industrial island of Plutonia is washed up on the beaches of paradise island Melonia, where the "all-powerful" wizard Prospero and his strange friends reside.

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

A cable car ride through the San Francisco of the early 20th century marks the background that bids farewell to the alleged blessings of capitalism.

A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.

Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.

Animated propaganda advocating for the importance of unregulated capitalism to the American way of life.