Embassy of the Free Mind

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

Focused on the experiences of Manuel "Manolo" Díaz Caballero, who was a local police officer in Malaga for more than 30 years, his memories of those years are the subject of this documentary.

How have the changing views on children been reflected in their representation in art? From Baby Jesus to the first photographic portraits, an exploration of six centuries of art history through the prism of childhood.

Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

A portrait of five St. Petersburgians and their connection to The Hermitage.

The Platoschool was founded in Amsterdam in 1983, a primary school for parents who wanted more than just math and language for their children. The founders of the Platoschool had great ideals, ideals that the parents of documentary maker Yara Hannema fell in love with. The children would grow into special people with a high level of consciousness, but the teachers ran wild in their strictness and discipline. There was beating and abuse of authority. The school was discredited and had to close its doors in 2002.

A century ago the Torres Strait Island were the subjects of the famous Cambridge Anthropological Expedition - the resulting depletion of their cultural artifacts left them with nothing but a history of remembered loss. The only people in the Pacific to make elaborate turtleshell masks have none left - they are all in foreign museums. In a quest to reclaim the past, Ephraim Bani, a wise and knowledgeable Torres Strait Islander, travels with his wife to the great museums of Europe where his heritage lies. The film, an SBS Independent production, shows that the thickest of masks cracks when a descendant of the original owners enters a museum.